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This site reflects the Académie Desprez's works and their constant evolution

Association Française pour le Rayonnement du Théâtre du Château de Drottningholm

Drottningholms Slottsteater, Foyer Desprez - photo © Académie Desprez Welcome to the
Académie Desprez
's Website

Last update: 23/10/2011

Since its foundation in 1999, the mission of Académie Desprez consists of contributing to the range of influence of Drottningholms Slottsteater and its collections. By taking the theatre life and practice at Drottningholms Slottsteater as an intellectual programme, Académie Desprez aims at developing an innovative approach to the stage arts by leading works in research and practice.

Further reading upon the Académie Desprez

Drottningholms Slottsteater is a rare place and unique of its kind in the world. This masterwork of Swedish architecture has remained intact since the XVIIIth century. Registered by the UNESCO's World Heritage Committee, the Theatre, the Palace and the surrounding area were recognized as being of international cultural heritage significance. Drottningholms Slottsteater provides direct access to ancient arts and skills that, otherwise, could only be read about. This experience is the start of Académie Desprez’s perception of the Age of Enlightenment.

Further reading upon Drottningholms Slottsteater and Sveriges Teatermuseum

Académie Desprez called itself by adopting Louis-Jean Desprez's name, a French XVIIIth century architect and painter, summoned in Stockholm by the king Gustave III. Beside numerous architectural realisations in Sweden, he designed Drottningholms Slottsteater's foyer as well as many theatre sets and costumes. By taking Desprez's career and comprehensive works as a reference, Académie Desprez defines itself as a meeting and exchange media for artists and amateurs, historians and practitioners.

Further reading upon Louis-Jean Desprez

Académie Desprez's working programmes are focused on æsthetics of the Age of Enlightenment. Research programmes are inspired by Drottningholm, Gustave III and Desprez. Grants are attributed to establish new relationships between theory and practice. Next to the activity of research, experimentation develops an understanding of creative processes. The knowledge of arts in the XVIIIth century becomes comprehensive through the concrete experience of reconstruction.

Further reading upon Académie Desprez's works

Artists and craftsmen working at Drottningholms Slottsteater rediscover their predecessors’ daily gestures; members of the Académie Desprez –scholars, artists and patrons– contribute to put into question, with their work, and to give life, with their practice, to this precious heritage.

 Further reading upon the applications (Practice)

Gilbert Blin,
Fondateur de l'Académie Desprez

 

Management:

       
Rémy-Michel Trotier Camille Tanguy Elisabeth Trubert Christophe Lécuyer
Président Secrétaire Trésorier Webmestre
       

 

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Upcoming

Domenico Lalli
Alessandro Scarlatti

Il Tigrane

Staging,
scenography and costumes by
Gilbert Blin

Opéra de Nice

June 1st, 3rd and 5th, 2012

More information on
Opéra de Nice’s website

 

Groupe de Recherche

Symposium
Fashioning Opera and Musical Theatre:
Stage Costumes in Europe
from the Late Renaissance to 1900

Conference by Mickaël Bouffard, member of Académie Desprez' Groupe de Recherche

« Re-Inventing Costume Designs
for Alessandro Scarlatti’s Il Tigrane
(1715) with a Historical Approach »

Fondazione Giorgio Cini Venezia
Isola di San Giorgio Maggiore
30 March 2012, starting at 11h30

For more information

 

Recently

Luigi Orlandi
Agostino Steffani

Niobe

Stage Director and Set Designer: Gilbert Blin

Bernard Picart (1673-1733), "Les enfants de Niobé tués à coups de flèches par Apollon & Diane & elle même est changée en rocher", Amsterdam, 1731 - Photo Académie Desprez

Boston Early Music Festival 2011

Cutler Majestic Theatre
June 12-19, 2011
Mahaiwe Performing Arts Center
Great Barrington, June 24-25, 2011

For more information